As he left Agra behind, Lewis had no way of knowing that he was walking into one of history’s most incredible stories. He would beg by the roadside
As he left Agra behind, Lewis had no way of knowing that he was walking into one of history’s most incredible stories. He would beg by the roadside and take tea with kings. He would travel with holy men and become the master of a hundred disguises. He would see things no westerner had ever seen before, and few have glimpsed since. And, little by little, he would transform himself from an ordinary soldier into one of the greatest archaeologists of the age. He would devote his life to a quest for Alexander the Great.
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There’s an old Afghan proverb: ‘First comes one Englishman as a traveller; then come two and make a map; then comes an army and takes the country. Therefore it is better to kill the first Englishman.’ He did not know it yet, but Masson is the reason that proverb exists. He was the first Englishman.
You have probably never heard of Charles Masson. At the time of his creation in 1827, no one else had either. Nor had his creator. For six long years, Private James Lewis had endured soldiering in the military force of the East India Company (EIC) in sundry nations and city-states, in what is now India, Pakistan, and Afghanistan. He had hoped for a life better than what was possible in a squalid London. Dire economic times had driven large numbers of people into bankruptcy and poverty. And if they were already poor, it drove them to desperation. The government’s response was to threaten to kill those protesting because of their inability to pay their debts. There had to be a better option somewhere, anywhere. But it had turned out not to be the better life that he had hoped for.
[image] Edmund Richardson- image from RNZ
Lewis suffered from the multiple curses of curiosity and intelligence. He had tired of the often corrupt, ignorant, mean-spirited officers and officials above him, and knew he would not be allowed to leave any time soon. When opportunity presented, Lewis and another disgruntled employee took off, went AWOL, strangers in a strange land. And in the sands of the Indian subcontinent, having fled across a vast no man’s land, feverish, desperate, and terrified of being apprehended by the EIC or its agents, Lewis happened across an American, Josiah Harlan, leading a small mercenary force in support of restoring the king of Afghanistan, and the adventure begins. Lewis vanished into the sands and Charles Masson was born into Lewis’s skin.
[image] Josiah Harlan, The Man Who Would be King - image from Wiki
A ripping yarn, The King’s Shadow (Alexandria: The Quest for the Lost City in the UK) tells of the peregrinations and travails of Lewis/Masson from the time of his desertion in 1827 to his death in 1853. It will remind you of Rudyard Kipling tales, particularly The Man who Would Be King. The real life characters on whom that story is based appear in these pages.
[image] Dost Mohammad Khan. – considered a wise ruler by many, he was devilishly dishonest - image from Genealogy Adventures Live
It certainly sounds as if the world James Lewis thought he was leaving in London, a fetid swamp of human corruption, cruelty, and depravity, had followed him to the East. There is an impressive quantity of backstabbing going on. Richardson presents us with a sub-continental panorama of rogues. Con-men, narcissists, spies, the power-hungry, the deluded, the pompous, the vain, the ignorant, and the bigoted all set up tents here, and all tried to get the best of each other. There are political leaders who show us a bit of wisdom. More who know nothing of leadership except the perks. They all traipse across a land that Alexander the Great had travelled centuries before.
His quest would take him across snow-covered mountains, into hidden chambers filled with jewels, and to a lost city buried beneath the plains of Afghanistan. He would unearth priceless treasures and witness unspeakable atrocities. He would unravel a language which had been forgotten for over a thousand years. He would be blackmailed and hunted by the most powerful empire on earth. He would be imprisoned for treason and offered his own kingdom. He would change the world – and the world would destroy him.
The American mercenary with whom Lewis/Masson joined forces was a fanatic about Alexander, seeing himself as a modern day version. He taught Masson about his idol and in time Masson took the obsession on as his own, albeit without the desire for a throne that drove his American pal, reading up on histories of Alexander.
[image] Shah Shujah-al-Moolk, circa 1835 – the restored king of Afghanistan who served as a British puppet) - image from Genealogy Adventures Live
You will learn a bit about Alexander, of whom stories are still told. He may not seem so great once you learn of his atrocities. The British government and the East India company tried to keep up, demonstrating a capacity for grandiosity, cruelty and inhumanity, whilst also armed with alarming volumes of incompetence and unmerited venality
[image] Alexander Burnes - image from Wiki
In his travels, aka invasions, conquests, and or large-scale slaughter, Alexander established a pearl necklace of cities along his route. Some were grander than others. One, in Egypt, is still a thriving metropolis. Most vanished beneath the drifts of time, whether they had been cities, towns, villages, or mere outposts. But Charles Masson was convinced that one of Alexander’s cities could be found the general area in which he was living. The evidence on which he based this view was cultural, appearing in stories, legends, and local lore, but then more concrete evidence began to appear (coins) and appear, and appear.
Time and again, Masson is dragged away from his work, and time and again he finds his way back, his passion for unearthing the lost Alexandria becoming the driving force in his life. Surely, if his own survival were his highest priority, he would have sailed for home a long, long time before he finally did. His work was hugely successful, all the more remarkable because he was a rank amateur. Much of Lewis’s work, thousands of objects and drawings, is still on display at the British Museum. He was a gifted archaeologist, and made several world-class advances. These include discovering a long-lost Alexandrian city and using ancient coins he had discovered, that contained Greek on one side, and an unknown language on the other, to decipher that language. And significantly modify the historical view of Alexander’s era.
[image] Ranjit Singh, maharajah of the Punjab - image from Genealogy Adventures Live
The King’s Shadow is an adventure-tale biography, which focuses on Masson’s life and experiences more than on Alexander. Sure, there is enough in the book to justify the UK title, but barely. There is a lot more in here about him trying to secure the connection between his head and his shoulders, threatened by a seemingly ceaseless flood of enemies. He is a remarkably interesting character, which is what holds our interest. He has dealings with a large cast of likewise remarkably interesting characters, all of which serves to keep us interested, while passing something along about what life in this part of the world was like in the early 19th century. (Remarkably like it is today in many respects)
There are few downsides here. One is that there is a sizeable cast, so it might be a bit tough keep track of who’s who. That said, I was reading an ARE, so there might be a roster offered in the final version. I keep lists of names when I read, so managed, but that it seemed needed should prepare you for that. Second was that there were times when events went from A to D without necessarily explaining the B and C parts. For example, there is an episode in which Masson is sent along with a subordinate of Dost Mohammad Khan’s, Haji Khan, to extract taxes from a recalcitrant community. But Haji has no intention of returning, yet somehow Masson is back in Kabul in the following chapter. Really, did he escape? Did he get permission to leave? How did the move from place A to place B take place? In another, a military attack fails, yet there is no mention of why the fleeing army was not pursued. Things like that.
There are multiple LOL moments to be enjoyed. Not saying that there is any chance of passing this off as a comedy book, but Richardson’s sense of humor is very much appreciated. You may or may not find the same things amusing. His descriptions are sometimes pure delight. An itinerant Christian preacher arrives at the palace of Dost Mohammad Khan, intent on converting him. The preacher had encountered serial misfortunes in his travels and had arrived in Kabul stark naked. Richardson refers to him at one point as “the well ventilated Mr Wolff.” He also describes Masson arriving late at night at the home of Rajit Singh, the local maharaja, only to find an American in attendance, singing Yankee Doodle Dandy. Another tells of a message Masson left for future explorers at what was then an incredibly remote site. LOL time. As much as you will frown at the miseries depicted in these pages, you will smile, maybe even laugh, a fair number of times as well. I noted five LOLs in my notes. There are more than that.
Charles Masson, despite the lack of appreciation and recognition he received, made major contributions to our knowledge of the Alexandrian era. Edmund Richardson fills us in on those, while also offering a biography that reads like an Indiana Jones adventure. Richardson has a novelist’s talent for story-telling. His tale shows not only the power of singlemindedness and passion, but the dark side of far too many men, and some unfortunate forms of governance. It is both entertaining and richly informative. Bottom line is that The King’s Shadow darkens nothing while illuminating much. Jolly Good!
This is a story about following your dreams to the ends of the earth – and what happens when you get there. Had he known what was coming, Lewis might have stayed in bed.
Review posted – April 8, 2022
Publication date – April 5, 2022
I received an ARE of The King’s Shadow from St. Martin’s Press in return for a fair review and a couple of those very special coins. Thanks, folks. And thanks to NetGalley for facilitating.
Edmund Richardson writes about the strangest sides of history. The Victorian con-artist who discovered a lost city. The child prodigy turned opium addict. Several homicidal headmasters. A clutch of Spiritualists. A prophet who couldn’t get the end of the world right. And Alexander the Great. He’s currently Lecturer in Classics at Durham University. Cambridge University Press recently published his first book, Classical Victorians: Scholars, Scoundrels and Generals in Pursuit of the Ancient World.
If her years as a reporter had taught her anything, it was these two things: One, the world was filled with people who were adrift, rudderless, and
If her years as a reporter had taught her anything, it was these two things: One, the world was filled with people who were adrift, rudderless, and untethered. And two, the innocent always paid for the sins of the guilty.
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…their traditions mean more to them than their humanity.
While reading Thrity Umrigar’s latest, novel, Honor, her ninth for adults, my thoughts kept drifting to Charles Dickens’ A Tale of Two Cities, not the totality of the story so much as the classic opening sentence.
It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
In the case of Honor there are not exactly two cities. Mumbai certainly counts, but Birwad is a remote, rural village. It was the best of times for the reporter, India-born, but American since age fourteen, an international correspondent for a major New-York-based newspaper. It was the worst of times for the local woman, a young widow, living a terrible life in Birwad. Her brothers had murdered her husband, the light of her life, in plain sight, happily including their own sister in the conflagration. It was the spring of hope for a crusading lawyer, Anjali, desperate to find a woman willing to press charges against abusers like these, very grateful to have finally found one. She is hoping to establish a precedent, maybe even gain some justice. It was the winter of despair. But even if Gorvind and Arvind can be convicted and sent to prison, Meena would still be stuck living with her mother-in-law, who hates her, blaming her for the death of her son. It was an epoch of belief. The brothers had torched their own sister because she, a Hindu, had dared marry a Muslim, which the brothers believed was an abomination. They also hated her because she worked, while they did not, again somehow shameful, even though she gave them her entire salary. It was an era of incredulity. Really, this medieval bullshit is still going on in the 21st century?
[image] Thrity Umrigar
Smita Agarwal had not wanted to go back to Mumbai, but the veteran reporter cut short her vacation in the Maldives when she got a call from Shannon Carpenter (broken hip, in hospital), a friend, and the South Asia Correspondent for her newspaper. Smita expects to be hanging with her pal for a while as she prepares for surgery, then recovers. But Shannon redirects her to taking on reporting duties for a grim story. The trial of brothers Gorvind and Arvind is due for a verdict soon. An associate of Shannon’s is sent along to help with translation, and coping with local cultural issues. Mohan is not a reporter, but someone is needed to help smooth things for Smita, who will need a translator. She has not been back to India for decades, and very much needs the help.
What Smita finds in this remote place is incredibly disturbing, a primitive society riven by a particularly deep and violent religious division and a legal system that is a caricature of bias and corruption, although sadly far too real. Smita interviews Meena, her mother-in-law, the brothers, the village leader who had encouraged them to commit the crime, and the lawyer who is handling the case against them. There is no ambiguity about guilt here. The only legal question is whether there will be any sort of justice in such a backwater.
Honor is a tale of two tales. It is not only in Birwad that bias crimes are committed. Alternating with the tale of Meena is Smita’s attempt to address the reason her family moved to the states from Mumbai when she was a teen. She revisits her old neighborhood and speaks, or tries to speak with people she knew back then. Her story is revealed bit by bit over the course of the novel. Later she tells Mohan the full tale of her family’s experience. It is clear that it is not only remote, rural India that has a problem with mindless us-versus-them bigotry.
The parallel stories incorporate contrasting elements. The novel looks at old versus new, faith versus materialism, rationality versus extremist religiosity, corruption versus honesty, modernity versus tradition, right versus wrong, kindness versus cruelty, understanding versus blind rejection, patriarchal abuse versus gender equity. There is the contrast between the cosmopolitan Smita and the rural Meena, the comfortable Mohan and the struggling villagers.
Smita wrestles with her feelings about India, mostly repulsed by it because of the treatment her family had received, the ongoing religious warfare, and a million small miseries the nation inflicts on everyone. But she also recognizes some of the kinder sides to life there, particularly as epitomized by Mohan. She is also confronted with a woman in Meena who had actually done a radical thing, standing up for love in the face of extreme bias, and then standing up for justice in a cruelly unjust place. She had opened herself to huge peril by attending to her heart. Whereas Smita lives a solo existence, sustaining barriers that prevent her from ever committing to anyone emotionally. Even though Smita’s reporting for a western newspaper is expected to benefit the fight against religious bigotry, this is not a trope of westerner coming to the rescue of a desperate third-worlder. Here, the illiterate local has much to teach the sophisticate.
The novel had dual inspirations. First was the reporting of New York Times reporter Ellen Barry, who documented some of the worst outrages of Indian injustice during her years working there. There are a couple of links in EXTRA STUFF to Barry’s NY Times work, and one article of hers in particular that was an obvious source for this novel. The second inspiration was Umrigar’s family’s history.
In 1993, my middle-aged father stood on our balcony and watched helplessly as the apartment building across the street burned. It had been set on fire by a mob of angry Hindus who had heard that a Muslim family lived on the ground floor. By this time, I was living in faraway America, safe from the paroxysm of insanity and violence that gripped Bombay—the erstwhile most tolerant and cosmopolitan of Indian cities—during that terrible period. But I can still hear the bewilderment in my father's voice as he later recounted the incident during our weekly phone chat. I immediately worried about my family's well-being, but he brushed aside my fretting. We were Parsis, a small, prosperous, and educated religious minority in India; the joke was that there were so few of us, nobody saw us as any kind of threat. - from the Bookbrowse interview
So, the two places may be dramatically different, but the underlying problems are remarkably similar. In addition to continuing her writing about India, in which she focuses on class and gender issues, there was another stream that flowed into her work this time.
I wrote ‘Honor’ during the Trump years,” she says. “I was writing about India, but I was also writing about my own adopted country. This othering of others is not a phenomena you can assign to any one country. The trend winds are blowing across the world’s two largest democracies, India and the United States. I am sometimes appalled and bewildered and dismayed by the parallels.” - from the LA Times interview
It is certainly no stretch to see in people who erected a gallows for a vice president who would not do what their leader wanted the very group madness Umrigar shows us in India. The Indian version gives us a village leader stoking the violence, encouraging the brothers to commit an atrocity. Here we have Trump, Tucker Carlson, Fox News and a host of fascist demagogues screaming lies about “the other.”
A major focus in Honor is on how the word has been misused to support unconscionable policies and actions.
The word honor has been abused and shorn of its meaning in traditional, male-dominated societies, where it is simply a cover for the domination of women by their fathers, brothers, and sons. The sexual politics of the so-called honor killings are impossible to avoid. Women are raped, killed, and sacrificed to preserve male pride and reputations.
In this novel, I wanted to reclaim the word and give it back to the people to whom it belongs—people like Meena, a Hindu woman, and her Muslim husband, Abdul, who allow their love to blind them to the bigotries and religious fervor that surround them, who transcend their own upbringing to imagine a new and better world. - from the Bookbrowse interview
Honor is a tale of two loves. We get from Meena’s POV her history with Abdul, and how that love survives his murder in her love for their daughter. Smita has never really had that kind of relationship, but finds herself increasingly drawn to Mohan, as she sees him in action, helping her maneuver a culture she does not really understand, sees what a good, kind man he is, and begins to wonder if there is some way to sustain their connection after her work on this story is complete. She also struggles with her feelings about India, which have been hostile, but as warm memories from her youth return, as she learns from Mohan of the many good things about her birth country, she warms to it, and regains some of the affection she once had for her homeland.
I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, fore-most of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place—then fair to look upon, with not a trace of this day’s disfigurement—and I hear him tell the child my story, with a tender and a faltering voice.
“It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.” - Tale of Two Cities - via Project Gutenberg
Shift the boy in Dickens’ tale to Meena’s daughter, Abru, in this one and it also fits right in. Honor is a gut punch that will being you to tears of grief and rage. Hopefully it will make you aware of the currents of group hatred that flow in far too many places, probably one uncomfortably close to home. But it will also offer you cause for hope, cause to see beyond the storm clouds of conflict to the clearing skies of hope. Honor is not a far, far better book than Umrigar has ever written. Really? With her dazzling oeuvre, what could be? But it is certainly among her strongest works. And that is saying a lot.
Despite the darkness of the subject matter, Umragar sustains a positive outlook. In the LA Times interview, she references Tony Kushner.
He says something to the effect of: Hope is not a choice. Hope is a moral obligation. I try and live by those words. I may sometimes not feel hopeful about my own personal circumstances, which is absurd because I’ve had every opportunity and privilege in the world. But I always feel hopeful about humanity.”
Review first posted – March 25, 2022
Publication dates ----------Hardcover - January 4, 2022 ----------Trade paperback - September 27, 2022
Frank and Ellie Benton have suffered what no parents should, the loss of their 7-year-old son, Benny. When Frank is offered a chance to manage a factoFrank and Ellie Benton have suffered what no parents should, the loss of their 7-year-old son, Benny. When Frank is offered a chance to manage a factory in Girbaud, India, the couple leap at the opportunity to get away from the constant reminders of their loss. But Frank transfers his love for his son onto Ramesh, the engaging, bright child of the people who take care of their house. His inability to truly get past the death of his own child and his desperate attachment to this Indian boy lead to a series of increasingly bad decisions.
[image] Thrity Umrigar - image from her site
Umrigar shows us the intersection where East and West meet, on a painfully personal level. There is no idealization of India here. Cultural warts are on full display. As are the more attractive elements of the Indian culture that make Ellie Benton feel that she is becoming truly local. Larger issues are brought to the fore as well, conflicts between tradition and modernity, between globalization and local values, between haves and have-nots at several levels. And while the insensitivity of the corporate West is portrayed neither is the West pilloried as having nothing to offer the Indian people.
It is a fast and intensely engaging read. I was moved to tears by this story. I had to stop myself from publicly dripping on the subways where I used to do most of my book reading, saving that for more private places. That this tale is so emotionally charged does not make it a melodramatic weepy. Do read it armed with some tissues, but the joy here is how well Umrigar portrays the details of grief, of a marriage under enormous stress. It is also more than merely a personal tale. The title refers to morality, and the choices characters make here are to be seen through the lens of right and wrong. Her ability to effectively portray personal trauma while painting a larger picture of disparate worlds intersecting, and do so in an accessible, personal way makes this is a wonderful novel.
Review first posted – April 2009 Published– April 14, 2009
Interviews -----Blog Talk Radio - An Thrity Umrigar Discusses the Weight of Heaven - audio - in which Umrigar discusses, among other things, her sources of inspiration for writing this novel. -----The Writer's Voice - podcast - The Weight of Heaven piece is part of the podcast link at the bottom of the page, the interview running from 28:20 to 49:00. There is nice material in here on the loss of one’s moral compass