Frequently bought together
Product Description
Calibrite ColorChecker Charts for Photographers
Calibrite ColorChecker targets are photographer and filmmaker references that ensure predictable results in all lighting conditions. Capture professional and accurate colours from the beginning and minimise editing time to achieve true-to-life colour.
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Calibrite ColorChecker NanoFor those extremely small or close up projects, the Nano version of the ColorChecker target provides a precision colour reference for the tightest or most close up shots. Measuring just 24 x 40mm, the Nano is the smallest target within the ColorChecker range and is an ideal tool for macro, art and object photography. |
Calibrite ColorChecker Passport Photo 2The Passport Photo 2 combines four photographic targets into one pocket-size protective case that adjusts to any scene, allowing you to set exposure, create custom white balance, colour profiles and much more. Together with its camera calibration software and Lightroom plugin, you get the ultimate functionality, flexibility and portability for a more perfect colour journey. |
Calibrite ColorChecker ClassicThe ColorChecker Classic target is designed to deliver true-to-life colour reproduction so that photographers and filmmakers can predict and control how colour will look under any illumination. Each of the 24 colours represents the actual colour of natural objects and reflects light just like its real-world counterpart. The ColorChecker Classic can be used to create camera profiles, correct white balance, colour correction, colour grading and more. |
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Calibrite ColorChecker Classic XLThis is a larger version of the ColorChecker Classic for those shots taken at a greater distance like at an outdoor event or for drone photography. Measuring an impressive 533 x 375mm, the Classic XL is the second-largest photographic target, with only the ColorChecker Classic MEGA overshadowing its size. The XL target is an ideal tool for things such as wide landscape shots, large set and interview shots and aerial photography. |
Calibrite ColorChecker White BalanceThe ColorChecker White Balance target is spectrally neutral to deliver accurate white reproduction for both photo and video workflows. Use it to perform custom in-camera white balance to ensure precise, uniform, neutral white - under any lighting condition. |
Calibrite ColorChecker Gray Balance MiniThe ColorChecker Gray Balance Mini is the smaller version of the standard-sized grey balance card, measuring only 63.5 x 109.0mm. An 18% grey reference for exposure metering and grey balance in photography and adjusting your camera's colour sensitivity to exactly match the ambient lighting conditions, as well as verifying grey balance in video workflows through camera, light and film configuration. |
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Calibrite ColorChecker Gray BalanceThe ColorChecker Gray Balance card is an 18% grey reference for exposure metering and grey balance in photography and adjusting your camera's colour sensitivity to exactly match the ambient lighting conditions, as well as verifying grey balance in video workflows through camera, light and film configuration. The Grey Balance card is available in two sizes, Mini and Standard. |
Calibrite ColorChecker 3-Step GrayscaleSimplify camera and studio lighting balance with the Calibrite ColorChecker 3-Step Grayscale target for performing quick colour adjustments and evaluating studio lighting conditions. A white, grey and black target, all on a single card to capture accurate colour before your photo session or video shoot, eliminating unnecessary editing time and effort afterwards. |
Calibrite ColorChecker Digital SGObtain the widest colour gamut available! The ColorChecker Digital SG target includes the highest quality colour reference standards available where each of the 140 patches have been chosen for its location in colour space to expand the colour gamut, so you can create profiles that capture the full capabilities of your digital camera and scanner. |
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| Calibrite ColorChecker Nano | Calibrite ColorChecker Passport Photo 2 | Calibrite ColorChecker Classic | Calibrite ColorChecker Classic XL | |
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| Application | Macro / close up photography | General Photography - multiple reference targets | General Photography | Distance Photography – XL sized target |
| In Camera White Balance | ✓ | |||
| Colour Balance | ✓ | ✓ | ✓ | ✓ |
| Number of Targets Included | 1 | 4 | 1 | 1 |
| Size | 24 x 40mm | 109 x 63.5mm | 215.9 x 279.4mm | 533 x 375mm |
Reviews with images
Industry standard for colour management
I knew I should probably have one of these several years ago and was curious, but starting out on a low budget with so many things to acquire and to learn it got pushed to the back. There is definitely learning to be done for these. Even if I'm not there yet I am doing more projects that get passed on to others for post-production of video or being requested to deliver photos that end up in national publications.I am gradually using it in house as I learn the ins and outs. At some point it will be an automatic part of the process. I had a one-on-one tutorial with a specialist from the manufacturer 4 years ago so I understood the reasoning behind it. I liken it to instrument flying an aircraft. If you are going to use this system then trust it because it's an objective tool from start to finish in the workflow.What I do for now is place it at the start of my important sessions and then basically forget about it. I include it in the footage and groups of photos that get sent to post so if they think there is an issue with colour or exposure they have this universal chart to work from. In that respect it's been a value add for me to show clients I'm conscientious about my production and it's always there for me even if the content is filed away for years.The 21 second video example was shot from over 30 feet across an event rotunda with the white lights dimmed and dozens of lights in various colours taking over. You can see the purple hue on the wall behind the chart. I was shooting crowds of attendees and also capturing performers on the main floor and guest speakers at a podium. The other samples are polished stone sculptures that can pick up all kinds of hues from the surroundings. They are displayed in all kinds of lighting, even 3 or 4 different mixes of light because they get moved from venue to venue. Out of camera they can be different colours every time.
Top reviews from Canada
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Reviewed in Canada on June 30, 2023
Verified Purchase
I knew I should probably have one of these several years ago and was curious, but starting out on a low budget with so many things to acquire and to learn it got pushed to the back. There is definitely learning to be done for these. Even if I'm not there yet I am doing more projects that get passed on to others for post-production of video or being requested to deliver photos that end up in national publications.
I am gradually using it in house as I learn the ins and outs. At some point it will be an automatic part of the process. I had a one-on-one tutorial with a specialist from the manufacturer 4 years ago so I understood the reasoning behind it. I liken it to instrument flying an aircraft. If you are going to use this system then trust it because it's an objective tool from start to finish in the workflow.
What I do for now is place it at the start of my important sessions and then basically forget about it. I include it in the footage and groups of photos that get sent to post so if they think there is an issue with colour or exposure they have this universal chart to work from. In that respect it's been a value add for me to show clients I'm conscientious about my production and it's always there for me even if the content is filed away for years.
The 21 second video example was shot from over 30 feet across an event rotunda with the white lights dimmed and dozens of lights in various colours taking over. You can see the purple hue on the wall behind the chart. I was shooting crowds of attendees and also capturing performers on the main floor and guest speakers at a podium. The other samples are polished stone sculptures that can pick up all kinds of hues from the surroundings. They are displayed in all kinds of lighting, even 3 or 4 different mixes of light because they get moved from venue to venue. Out of camera they can be different colours every time.
I am gradually using it in house as I learn the ins and outs. At some point it will be an automatic part of the process. I had a one-on-one tutorial with a specialist from the manufacturer 4 years ago so I understood the reasoning behind it. I liken it to instrument flying an aircraft. If you are going to use this system then trust it because it's an objective tool from start to finish in the workflow.
What I do for now is place it at the start of my important sessions and then basically forget about it. I include it in the footage and groups of photos that get sent to post so if they think there is an issue with colour or exposure they have this universal chart to work from. In that respect it's been a value add for me to show clients I'm conscientious about my production and it's always there for me even if the content is filed away for years.
The 21 second video example was shot from over 30 feet across an event rotunda with the white lights dimmed and dozens of lights in various colours taking over. You can see the purple hue on the wall behind the chart. I was shooting crowds of attendees and also capturing performers on the main floor and guest speakers at a podium. The other samples are polished stone sculptures that can pick up all kinds of hues from the surroundings. They are displayed in all kinds of lighting, even 3 or 4 different mixes of light because they get moved from venue to venue. Out of camera they can be different colours every time.
Images in this review
Top reviews from other countries
Sergio
Excelente producto
Reviewed in Mexico on April 6, 2024Verified Purchase
Ruben
Should have bought a long time ago
Reviewed in the United States on July 30, 2022Verified Purchase
Vincent91
Indispensable
Reviewed in France on June 11, 2024Verified Purchase
Sven
Works great and very portable
Reviewed in Germany on May 9, 2024Verified Purchase
Giuseppe
Grazie Amazzon..!
Reviewed in Italy on November 28, 2023Verified Purchase
Giuseppe
Reviewed in Italy on November 28, 2023
Arriva in un fragile scatolino di cartone , sul cui retro c’è il Qr, con le indicazioni utili sia per la registrazione del Colorchecker (il numero è dietro alla custodia di plastica nera), sia per entrare nel sito e scaricare il Software originale . , il Calibrite Color Cheker è racchiuso in una custodia protettiva nera in plastica rigida che misura cm 120x90 mm.ed è corredato da un cordoncino rosso assai utile; non solo per la portabilità ma, in fase di ripresa , è importante tenerlo dal cordoncino per evitare di toccare i quadratini colore, fare ombra, farlo cadere.
Contiene in sintesi un set di 4 Target fotografici: il White Balance per il bilanciamento del grigio al 12%. Il Gray Balance per il bilanciamento del grigio al 18%. . Il Target color Classic. Il Target Creative (ritratti e paesaggi.)
All’atto pratico ho trovato una immediata compatibilità coi i file di Camera Raw Raw (salvati in dng), proprio per la posizione dei colori del ColorChecker Pasport 2 disposti secondo lo schema: Standard MACHBETH. Ciò ha determinato un coerente funzionamento con il Software. Finalmente una fedele resa cromatica con risparmio di tempo e cosa importantissima la ripetibilità del risultato.
All’apertura il mio Colorcheker era molto rigido con allarmanti scricchiolii, mi pare sia un problema frequente; l’ho risolto con un sottile pennellino imbevuto appena, appena, in WD40, passandolo con estrema leggerezza sulle cerniere; poi occorre rimuovere subito il liquido in modo che non scivoli sui quadratini di colore.
Images in this review
